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‘She is dead--poor girl,’ said he, interrupting the tune which he was whistling, ‘and she chose a good piece of stuff for her head-stone. Now which of these slabs would you like best to see your own name upon?’
‘Why, to tell you the truth, my good Mr. Wigglesworth,’ replied I, after a moment’s pause,--for the abruptness of the question had somewhat startled me, --‘to be quite sincere with you, I care little or nothing about a stone for my own grave, and am somewhat inclined to skepticism as to the propriety of erecting monuments at all, over the dust that once was human. The weight of these heavy marbles, though unfelt by the dead corpse or the enfranchised soul, presses drearily upon the spirit of the survivor, and causes him to connect the idea of death with the dungeon-like imprisonment of the tomb, instead of with the freedom of the skies. Every grave-stone that you ever made is the visible symbol of a mistaken system. Our thoughts should soar upward with the butterfly--not linger with the exuviæ that confined him. In truth and reason, neither those whom we call the living, and still less the departed, have any thing to do with the grave.’
‘I never heard anything so heathenish!’ said Mr. Wigglesworth, perplexed and displeased at sentiments which controverted all his notions and feelings, and implied the utter waste, and worse, of his whole life’s labor,--‘would you forget your dead friends, the moment they are under the sod!’
‘They are not under the sod,’ I rejoined; ‘then why should I mark the spot where there is no treasure hidden! Forget them? No! But to remember them aright, I would forget what they have cast off. And to gain the truer conception of death, I would forget the grave!’
But still the good old sculptor murmured, and stumbled, as it were, over the grave-stones amid which he had walked through life. Whether he were right or wrong, I had grown the wiser from our companionship and from my observations of nature and character, as displayed by those who came, with their old griefs or their new ones, to get them recorded upon his slabs of marble. And yet, with my gain of wisdom, I had likewise gained perplexity; for there was a strange doubt in my mind, whether the dark shadowing of this life, the sorrows and regrets, have not as much real comfort in them--leaving religious influences out of the question--as what we term life’s joys.

The Scarlet Letter
Young Goodman Brown : By Nathaniel Hawthorne - Illustrated
The Birthmark
The Marble Faun; Or, The Romance of Monte Beni - Volume 1
The Minister's Black Veil
The Great Stone Face, and Other Tales of the White Mountains
The House of the Seven Gables
The Snow Image
The Blithedale Romance
Rappaccini's Daughter: By Nathaniel Hawthorne - Illustrated
Twice-Told Tales
Twice Told Tales
The Marble Faun; Or, The Romance of Monte Beni - Volume 2
Footprints on the Sea-Shore (From Twice Told Tales)
Main Street
The Seven Vagabonds (From Twice Told Tales)
Fanshawe
Chippings with a Chisel
Selected Tales and Sketches
Young Goodman Brown
Roger Malvin's Burial
The Prophetic Pictures
The Village Uncle
Scarlet Letter (Barnes & Noble Classics Series)
The Procession of Life
Drowne's Wooden Image
Hawthorne's Short Stories
My Kinsman, Major Molineux
Legends of the Province House
Foot-Prints on the Sea-Shore
The Haunted Quack
Tanglewood Tales
The Seven Vagabonds
Mosses from an Old Manse, Volume 2
The Canterbury Pilgrims
Wakefield
The Gray Champion
The White Old Maid
The Snow-Image: A Childish Miracle
The Gentle Boy
Mr. Higginbotham's Catastrophe
The Threefold Destiny: A Fairy Legend, by Ashley Allen Royce [pseud.]
Lady Eleanore`s Mantle
The Great Carbuncle
The Portable Hawthorne (Penguin Classics)
True Stories from History and Biography